Dimitris Antonitsis, Eleni Christodoulou, Maria Cyber, Panagiotis Evangelidis, Dimitris Fragakis, Dionysis Kavallieratos, Angelos Papadimitriou, Nikos Papadopoulos, Stavros Papagiannis, Ilias Papailiakis, Poka-Yio, Leonardo Pucci, Spyros Rennt, Denys Shantar, Chrysanne Stathakos, Eva Stefani

NORMATIVITIES IN THE LBGTQI+ COMMUNITIY

15 December – 03 February 2024

Curated by Fivos Sakalis

press release

Normativities in the LGBTQI+ Community

Duration: 15 December 2023 – 20 January 2024

Crux Galerie and Positive Voice present the group exhibition Normativities in the LGBTQI+ Community curated by Fivos Sakalis.
What happens when the LGBTQI+ community itself forges normativities and dividing lines among its own members? By means of the same mechanisms, the same reasoning used by heteronormativity? It creates homonormativities. This exhibition seeks to spotlight an ever more evident internal problem within the LGBTQI+ community: the non-acceptance of the various gender identities and sexual practices of its various sub-groups by certain other sub-groups that comprise its ranks. Even to the point where sexual practices and a person’s character are made one and the same, leading to an individual being rejected. How do you fight such internalised prejudice?
Through its artworks, this exhibition sheds light on the various ways in which people enjoy sex or perceive their gender identity and sexual orientation. It spotlights without prescribing one approach, accepting all forms of difference as something natural. When it comes to the sexual practices of consenting adults, be it homosexuals or heterosexuals, the notion of “perversion” – and the animosity or even hatred it conveys – ought to be eradicated, since we live in a world of eight billion individuals, each of them a singular “I”. And there’s no going back – the acceptance of diversity is a one-way street.
The Greek Association of People Living with HIV – Positive Voice supports and co-organises the exhibition, as HIV is directly linked to the LGBTQI+ community in two ways. On the one hand, LGBTQI+ claims have historically been associated with HIV claims and the fight against stigma. On the other hand, the stigma surrounding HIV unfortunately still exists today, not only in same- sex relationships, but also in the broader community and society. Every victory for the rights and visibility of the LGBTQI+ community is also a victory in the fight against HIV vulnerability.

Mister Julianna recounts:
“When I was just a boy, not yet a teenager, I remember how I’d wear my mother’s lipstick and clothes. I started consciously exploring my homosexual identity sexually at 13. I bottomed till I was 19. Then my first serious partner brought out my versatile side. Later, I had sex with women a few times. One of them was a lesbian. When it came to penetration – something all men worry about [laughter] – it’s something I could do, but the thing I was really brilliant at was pleasuring my partner with my tongue and fingers. I remember saying, when I was around 25, that I found the lives of trans persons sad, set as they were within the ultra-conservative society Greece had back in the 1990s – it’s still conservative today, despite everything that’s been achieved… But I
found the strength or, at any rate, I was driven by – how best to describe it… – by my inner being to explore the feminine aspects of my personality. I was non-binary before they’d invented the term. [laughter] I bought my first pair of red heels almost 20 years ago when a boyfriend asked me to. I’ve played around at BDSM sessions. I’ve been with non-binary people, both topping and bottoming. I’ve been in a five-year relationship as a cis top man. I go about my day as a cis man, but some people also know me by my female name: Julianna. I still have lovely
toes despite my advanced years, and high-heeled sandals look great on me. And recently I’ve been thinking I might actually be a lesbian…
I like sex and I like to explore my urges – I feel it’s not just about the act itself, the endorphins, it’s also an exploration of self. There’s only one thing I’ve never done, something I can’t even understand how it’s done: the rejection of sexual expression in any form. I’m not an activist and don’t take well to stilted political correctness. But what I do believe in is that those of us who are “different” must have the smarts and the sensitivity to accept diversity in all its forms.”

Participating artists:
Dimitris Antonitsis, Eleni Christodoulou, Maria Cyber, Panagiotis Evangelidis, Dimitris Fragakis, Dionisis Kavallieratos, Angelos Papadimitriou, Nikos Papadopoulos, Stavros Papagiannis, Ilias Papailiakis, Poka-Yio, Leonardo Pucci, Spyros Rennt, Denys Shantar, Chrysanne Stathacos, Eva Stefani

With the support of Gilead Sciences Hellas.

installation views

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artworks

Angelos Papadimitriou, <i>1970 Self portrait</i>, 2023, print on paper, 25x32 cm, edition of 3+2AP

Angelos Papadimitriou, 1970 Self portrait, 2023, print on paper, 25x32 cm, edition of 3+2AP

Chrysanne Stathacos, <i>xxx</i>, 2019, direct printing of condoms (oil based) on jeans fabric, 80x58 cm

Chrysanne Stathacos, xxx, 2019, direct printing of condoms (oil based) on jeans fabric, 80x58 cm

Dimitrios Antonitsis, <i>Family Matters!, Case Study # 1c</i>, 1998, Hand printed C-print, 30x45 cm, edition of 3+2AP

Dimitrios Antonitsis, Family Matters!, Case Study # 1c, 1998, Hand printed C-print, 30x45 cm, edition of 3+2AP

Dimitrios Antonitsis, <i>Two Grand Friends</i>, 2023, photographic print on transparent paper and aluminium, 80x80 cm

Dimitrios Antonitsis, Two Grand Friends, 2023, photographic print on transparent paper and aluminium, 80x80 cm

Dimitris Fragakis, <i>Pipi I</i>, 2019, acrylic on translucent polyester paper, 13.5x18.5 cm

Dimitris Fragakis, Pipi I, 2019, acrylic on translucent polyester paper, 13.5x18.5 cm

Dimitris Fragakis, <i>Untitled (after Picabia)</i>, 2020, oil paint on found paper, 41x29 cm

Dimitris Fragakis, Untitled (after Picabia), 2020, oil paint on found paper, 41x29 cm

Dimitris Fragakis, <i>Untitled</i>, 2023 , looped video, duration 5'.05'' (detail II)

Dimitris Fragakis, Untitled, 2023 , looped video, duration 5'.05'' (detail II)

Dionisis Kavallieratos, <i>HEIL! HEIL! heil!</i>, 2013, pencil on paper, 40x55 cm

Dionisis Kavallieratos, HEIL! HEIL! heil!, 2013, pencil on paper, 40x55 cm

Dionisis Kavallieratos, <i>Love Letter</i>, 2012, wood, 80x150x5 cm

Dionisis Kavallieratos, Love Letter, 2012, wood, 80x150x5 cm

Eleni Christodoulou, <i>#femme</i>, 2019, felt and various fabrics, natural dyes, digital printing on fabric, upholstery sponge, 150x94x33 cm

Eleni Christodoulou, #femme, 2019, felt and various fabrics, natural dyes, digital printing on fabric, upholstery sponge, 150x94x33 cm

Eva Stefani, <i>The Kiss</i>, 2007, experimental video, duration 4', digital file, colour, sound, edition of 3+2AP

Eva Stefani, The Kiss, 2007, experimental video, duration 4', digital file, colour, sound, edition of 3+2AP

Maria Cyber, <i>Eressos (Magic was selling sex toys near the beach)</i>, 2005, print on paper, 27x36 cm, edition of 3+2AP

Maria Cyber, Eressos (Magic was selling sex toys near the beach), 2005, print on paper, 27x36 cm, edition of 3+2AP

Maria Cyber, <i>London</i>, 1992, print on paper, 41x36 cm, edition of 3+2AP

Maria Cyber, London, 1992, print on paper, 41x36 cm, edition of 3+2AP

Panagiotis Evangelidis, <i>Irving Park</i>, 2018, digital video, duration 1 hour and 57 min, edited by Araceli Lemos

Panagiotis Evangelidis, Irving Park, 2018, digital video, duration 1 hour and 57 min, edited by Araceli Lemos

Poka-Yio, <i>KOTA</i>, 2022, oil on plywood, 50x50 cm

Poka-Yio, KOTA, 2022, oil on plywood, 50x50 cm

Poka-Yio, <i>SneakerHead no5</i>, 2022, oil on canvas, 100x100 cm

Poka-Yio, SneakerHead no5, 2022, oil on canvas, 100x100 cm

Spyros Rennt, <i>Feet on bulge</i>, 2019, print on paper, 31x41 cm, edition of 10+2AP

Spyros Rennt, Feet on bulge, 2019, print on paper, 31x41 cm, edition of 10+2AP

Spyros Rennt, <i>Whole Festival embrace</i>, 2022, print on paper, 31x41 cm, Edition of 10+2AP

Spyros Rennt, Whole Festival embrace, 2022, print on paper, 31x41 cm, Edition of 10+2AP

Stavros Papagiannis, <i>He loves me not</i>, print on paper, 36x100 cm, edition of 3+2AP

Stavros Papagiannis, He loves me not, print on paper, 36x100 cm, edition of 3+2AP

Leonardo Pucci, <i>Bangkok 10_05pm</i>, 2019, archival pigment on Hahnemühle 100% cotton paper, 37.5x50 cm

Leonardo Pucci, Bangkok 10_05pm, 2019, archival pigment on Hahnemühle 100% cotton paper, 37.5x50 cm

Nikos Papadopoulos, <i>Untitled V (A)</i>, 2020, pencil, colored pencil and ink on paper, 24x17 cm

Nikos Papadopoulos, Untitled V (A), 2020, pencil, colored pencil and ink on paper, 24x17 cm

Nikos Papadopoulos, <i>Welcome V</i>, 2020, pencil and ink on paper, 75x105 cm

Nikos Papadopoulos, Welcome V, 2020, pencil and ink on paper, 75x105 cm

Nikos Papadopoulos, <i>Homage to Gustave Courbet IV</i>, 2019, pencil, colored pencil and ink on paper, 24x17 cm

Nikos Papadopoulos, Homage to Gustave Courbet IV, 2019, pencil, colored pencil and ink on paper, 24x17 cm

Denys Shantar, <i>Hermes and Crocus</i>, 2022, pencil and oil pastel on found paper, 44x51 cm

Denys Shantar, Hermes and Crocus, 2022, pencil and oil pastel on found paper, 44x51 cm

Denys Shantar, <i>Apollo and Cyparissus 2</i>, 2022, pencil and oil pastel on found paper, 44x51 cm

Denys Shantar, Apollo and Cyparissus 2, 2022, pencil and oil pastel on found paper, 44x51 cm

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Asset 1
Angelos Papadimitriou, <i>1970 Self portrait</i>, 2023, print on paper, 25x32 cm, edition of 3+2AP
Chrysanne Stathacos, <i>xxx</i>, 2019, direct printing of condoms (oil based) on jeans fabric, 80x58 cm
Dimitrios Antonitsis, <i>Family Matters!, Case Study # 1c</i>, 1998, Hand printed C-print, 30x45 cm, edition of 3+2AP
Dimitrios Antonitsis, <i>Two Grand Friends</i>, 2023, photographic print on transparent paper and aluminium, 80x80 cm
Dimitris Fragakis, <i>Pipi I</i>, 2019, acrylic on translucent polyester paper, 13.5x18.5 cm
Dimitris Fragakis, <i>Untitled (after Picabia)</i>, 2020, oil paint on found paper, 41x29 cm
Dimitris Fragakis, <i>Untitled</i>, 2023 , looped video, duration 5'.05'' (detail II)
Dionisis Kavallieratos, <i>HEIL! HEIL! heil!</i>, 2013, pencil on paper, 40x55 cm
Dionisis Kavallieratos, <i>Love Letter</i>, 2012, wood, 80x150x5 cm
Eleni Christodoulou, <i>#femme</i>, 2019, felt and various fabrics, natural dyes, digital printing on fabric, upholstery sponge, 150x94x33 cm
Eva Stefani, <i>The Kiss</i>, 2007, experimental video, duration 4', digital file, colour, sound, edition of 3+2AP
Maria Cyber, <i>Eressos (Magic was selling sex toys near the beach)</i>, 2005, print on paper, 27x36 cm, edition of 3+2AP
Maria Cyber, <i>London</i>, 1992, print on paper, 41x36 cm, edition of 3+2AP
Panagiotis Evangelidis, <i>Irving Park</i>, 2018, digital video, duration 1 hour and 57 min, edited by Araceli Lemos
Poka-Yio, <i>KOTA</i>, 2022, oil on plywood, 50x50 cm
Poka-Yio, <i>SneakerHead no5</i>, 2022, oil on canvas, 100x100 cm
Spyros Rennt, <i>Feet on bulge</i>, 2019, print on paper, 31x41 cm, edition of 10+2AP
Spyros Rennt, <i>Whole Festival embrace</i>, 2022, print on paper, 31x41 cm, Edition of 10+2AP
Stavros Papagiannis, <i>He loves me not</i>, print on paper, 36x100 cm, edition of 3+2AP
Leonardo Pucci, <i>Bangkok 10_05pm</i>, 2019, archival pigment on Hahnemühle 100% cotton paper, 37.5x50 cm
Nikos Papadopoulos, <i>Untitled V (A)</i>, 2020, pencil, colored pencil and ink on paper, 24x17 cm
Nikos Papadopoulos, <i>Welcome V</i>, 2020, pencil and ink on paper, 75x105 cm
Nikos Papadopoulos, <i>Homage to Gustave Courbet IV</i>, 2019, pencil, colored pencil and ink on paper, 24x17 cm
Denys Shantar, <i>Hermes and Crocus</i>, 2022, pencil and oil pastel on found paper, 44x51 cm
Denys Shantar, <i>Apollo and Cyparissus 2</i>, 2022, pencil and oil pastel on found paper, 44x51 cm