Jan Fabre

about

 

‘I am a servant of beauty.’

Jan Fabre (b. 1958, Antwerp) is regarded both in Belgium and abroad as one of the most innovative and versatile personalities in the contemporary international art scene. With a career spanning over 40 years, Jan Fabre has left an indelible mark as a visual artist, theater artist, and writer. Fabre labels himself a consilience artist, merging elements from different disciplines guided by fact-based theory and practice across disciplines. Through this interdisciplinary approach, he continually offers fresh interpretations while creating an intensely personal visual oeuvre; a unique and coherent universe with recurring symbols and motifs.

Whilst studying in Antwerp at the Royal Academy of Fine Arts and the Municipal Institute for Decorative Arts and Crafts, Fabre developed a profound love of beauty and its spiritual power. Curious by nature and influenced by the manuscripts of the entomologist Jean-Henri Fabre (1823-1915), Jan Fabre became fascinated by the world of insects at a young age. The dynamic between humans and animals is central to Jan Fabre’s work, reflecting a continual exploration of metamorphosis. His fascination with the body is evident in his personal actions and performances spanning from 1976 to the present.

Fabre achieved the distinction of being the first contemporary artist to hold solo exhibitions at prestigious institutions like the Louvre Museum in Paris (2008) and the Hermitage in Saint Petersburg (2017). Jan Fabre’s artistic reach extends beyond traditional gallery spaces; integrating artworks into various public locations including ‘The Man Who Measures the Clouds’ (1998), which can be seen at various sites in Europa and Asia. Other public works include the Royal Palace (2002), the Musées Royaux des Beaux-Arts in Brussels (2013), the Cathedral of Our Lady in Antwerp (2015), and the Antwerp St. Augustine’s Church/AMUZ (2018), with many more installed around the world.

Jan Fabre’s latest permanent installations grace Naples, Italy. In 2019, he installed four red coral sculptures to the chapel of Pio Monte della Misericordia, alongside Caravaggio’s works. Continuing his legacy, Fabre contributed two more coral masterpieces in 2023 to Naples’ Real Cappella del Tesoro di San Gennaro and the Church of Santa Maria delle Anime del Purgatorio ad Arco.

Fabre, known for his work in visual and theatre arts, is also acclaimed as an author. His extensive collection of theatre texts is a staple for directors, academics, and performers. Through initiatives like the Jan Fabre Teaching Group, he spreads his performing techniques, including ‘physiological acting’, worldwide. His ‘Night Diaries’, published in multiple languages, chronicle his daily thoughts and poetic reflections.

Jan Fabre’s artistic research and practice is fueled from ancient Greek mythology, philosophy and theatre. Since Greek mythology and philosophy are cornerstones of his inspiration, he has been presenting his multifaceted work in the visual and performing arts, as well as in publishing, in Greece regularly since the 1990s.

 

 

artworks

Jan Fabre, <i>The gaze within (The hour blue)</i>, 2011-13, Bic ballpoint pen on cibachrome. Permanent Collection Royal Museums of Fine Arts of Belgium. Photographer: Attilio Maranzano

Jan Fabre, The gaze within (The hour blue), 2011-13, Bic ballpoint pen on cibachrome. Permanent Collection Royal Museums of Fine Arts of Belgium. Photographer: Attilio Maranzano

Jan Fabre, <i>The Man Who Measures the Clouds</i>, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano

Jan Fabre, The Man Who Measures the Clouds, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano

Jan Fabre, <i>The Man Who Measures the Clouds</i>, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano

Jan Fabre, The Man Who Measures the Clouds, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano

Jan Fabre, <i>Gravetomb (swords, skulls and crosses)</i>, 2000. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, Gravetomb (swords, skulls and crosses), 2000. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, <i>Sanguis sum</i>, 2001. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, Sanguis sum, 2001. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, <i>Bruges 3003 (Monk with bones)</i>, 2002. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, Bruges 3003 (Monk with bones), 2002. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, <i>Sarcofago conditus, “He who has been represented on his tomb”</i>, 2003. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, Sarcofago conditus, “He who has been represented on his tomb”, 2003. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano

Jan Fabre, <i>Heaven of delight</i>, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels

Jan Fabre, Heaven of delight, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels

Jan Fabre, <i>Heaven of delight</i>, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels

Jan Fabre, Heaven of delight, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels

Jan Fabre, <i>Searching for Utopia</i>, 2003, bronze, 500x700x300 cm. Permanent collection of the City Namur. Photographer: Attilio Maranzano

Jan Fabre, Searching for Utopia, 2003, bronze, 500x700x300 cm. Permanent collection of the City Namur. Photographer: Attilio Maranzano

Jan Fabre, <i>The ecstatic recording</i>, 2018, Jewel Beetle wing-cases on disband, 383x244 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

Jan Fabre, The ecstatic recording, 2018, Jewel Beetle wing-cases on disband, 383x244 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

Jan Fabre, <i>The mystic contract</i>, 2018, Jewel Beetle wing-cases on disband, 566x398 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

Jan Fabre, The mystic contract, 2018, Jewel Beetle wing-cases on disband, 566x398 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

Jan Fabre, <i>The monastic performance</i>, 2018, Jewel Beetle wing-cases on disband, 398x241 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

Jan Fabre, The monastic performance, 2018, Jewel Beetle wing-cases on disband, 398x241 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano

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Jan Fabre, <i>The gaze within (The hour blue)</i>, 2011-13, Bic ballpoint pen on cibachrome. Permanent Collection Royal Museums of Fine Arts of Belgium. Photographer: Attilio Maranzano
Jan Fabre, <i>The Man Who Measures the Clouds</i>, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano
Jan Fabre, <i>The Man Who Measures the Clouds</i>, 1998, bronze, 285x120x80 cm. Collection: 21st Century Museum of Contemporary Art, Kanazawa. Photographer: Attilio Maranzano
Jan Fabre, <i>Gravetomb (swords, skulls and crosses)</i>, 2000. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano
Jan Fabre, <i>Sanguis sum</i>, 2001. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano
Jan Fabre, <i>Bruges 3003 (Monk with bones)</i>, 2002. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano
Jan Fabre, <i>Sarcofago conditus, “He who has been represented on his tomb”</i>, 2003. Installation view: Jan Fabre au Louvre. L’ange de la métamorphose, 2008. Photographer: Attilio Maranzano
Jan Fabre, <i>Heaven of delight</i>, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels
Jan Fabre, <i>Heaven of delight</i>, 2002, wing-cases of buprestids on the ceiling. Collection: Permanent work Hall of mirrors, Royal Palace, Brussels (BE). Photographer: Dirk Pauwels
Jan Fabre, <i>Searching for Utopia</i>, 2003, bronze, 500x700x300 cm. Permanent collection of the City Namur. Photographer: Attilio Maranzano
Jan Fabre, <i>The ecstatic recording</i>, 2018, Jewel Beetle wing-cases on disband, 383x244 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano
Jan Fabre, <i>The mystic contract</i>, 2018, Jewel Beetle wing-cases on disband, 566x398 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano
Jan Fabre, <i>The monastic performance</i>, 2018, Jewel Beetle wing-cases on disband, 398x241 cm. Collection: AMUZ, St Augustine's Church in Antwerp. Photographer: Attilio Maranzano